Roberto
Saviano dedicates his book to his police bodyguards, for he’s a writer in that
small and exclusive club: one with a target on his back. While Salman Rushdie,
another famous alumni of the club, dared to say something critical about,
Saviano took on Camorrah in his previous bestseller Gamorrah. His previous book
was a passionately angry screed, in part based on his own personal experiences,
against the Neapolitan mafia that were poisoning his home town of Naples. His
anger dripped from the pages of that tome and so it was with similar
expectations that I approached his latest offering, an examination of the
international cocaine trade.
Zero
Zero Zero is in some ways the better book. It’s more sober, reflecting the
author’s own distance from the subject. Before reading the book I saw an
interview Saviano did with the BBC’s Hardtalk programme, where he explained
that while he couldn’t walk the streets like he used to, his contacts with the
police were now ironically better. He said that he was able to interview
leading narcotics officers throughout the world and the book certainly reflects
both that approach and that level of access. Saviano surveys the cocaine trade
from Colombia, through the Mexican cartels and the vicious narco-wars that have
wracked that nation, through transit through Africa and into the hands of
‘Ndranghetta, not the most powerful of Italy’s mafias. It’s an impressive
achievement and once again he doesn’t shy away from naming names.
The
problem is that while Zero Zero Zero is undoubtedly a good book, a great book
even, Saviano is increasingly playing in a crowded field. Other writers and
journalists have similar levels of access and have written similar works. Don
Winslow’s seminal novels The Power of The Dog and The Cartel, describe the
tragedy that is modern Mexico in heartbreakingly poetic prose, while a new
documentary film Cartel Land is bringing the story to the silver screen. John
Dickie has published a number of books on Italy’s mafias, including the
‘Ndranghetta, while the cocaine trade more widely has been covered as far back
as Gary Webb in his work the Dark Alliance.
Gamorrah
was fresh exactly because Saviano had lived it, walked the streets of Naples,
seen where the bodies were gunned down, smelt the fetid air of a countryside
polluted by industrial waste ferried down from the north of Italy by a criminal
sub-culture so debased that they were happy to poison their own hinterland fro
a fast buck. Zero Zero Zero simply can’t compete.
In short
Zero Zero Zero is a great book and I award it four stars. It’s just that
Gamorah was better.
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