Monday, 22 November 2021
Use Your Psychic Powers to Have It All by Uri Geller
The Inheritance by Gabriel Bergmoser
The Witch Bottle by Tom Fletcher
The Watchers by A.M. Shine
Vine Street by Dominic Nolan
Friday, 8 October 2021
Bad Apples by Will Dean
Saturday, 18 September 2021
Bloody Foreigners by Neil Humphreys
Monday, 2 August 2021
The Dying Squad by Adam Simcox
Wednesday, 28 July 2021
The Rule by David Jackson
The Colours of Death by Patricia Marques
The Basel Killings by Hansjörg Schneider
Friday, 25 June 2021
Passenger List by J.S. Dryden
Anthrax Island by D.L. Marshall
I Know What I Saw by Imran Mahmoud
Thursday, 17 June 2021
True Crime Story by Joseph Knox
Monday, 17 May 2021
Geiger by Gustaf Skördeman
A landline rings, just as Agneta Broman, the wife of Stellan Broman, a post-war Swedish TV celebrity who the Swedish viewing public saw as an “uncle” to the nation, is waving her grandchildren goodbye. She answers the phone only to hear one word: “Geiger”. She immediately digs out a gun she’d kept hidden for years, shoots her husband dead, and disappears.
So starts this absolutely brilliant Swedish crime/espionage thriller.
Sara Novak is a vice cop who grew up a friend of the Broman’s daughters, Lotta and Malin. She was always the poor friend, her mother the Broman’s housekeeper, and as the narrative continues we learn the Broman daughters bullied her somewhat. She’s drawn into the investigation and it soon becomes an obsession.
The police only know that Stellan is dead, and Agneta is missing, and are unaware that she was the one who murdered her husband. But as the bodies pile up and things point to a motive linked to the cold war and the conflict between the Communist East and that Capitalist West, it isn’t long before a nest of international intrigue is discovered.
The publishers billed Geiger as the most gripping debut since I Am Pilgrim, and I have to say I thought the analogy was apt. This is an ambitious thriller, encompassing big themes, not least, the Cold War and its legacy, establishment sex rings and cover-ups. Sara is an interesting protagonist, while Agneta makes for a brilliant antagonist, reminiscent of the anonymous English assassin in Frederick Forsyth’s The Day of the Jackal. In both novels the police and protagonist are unaware of the identity of who they are after until near the end, and this is a device which works as well in Geiger as it did in Forsyth’s classic.
At the time of writing this review, Geiger is my book of 2021. There’s still a good few months to go, so other titles might well surpass it, though I suspect even if this were to happen Geiger would remain a close contender. Either way, this is a brilliant novel and highly recommended.
Bullet Train by Kotaro Isaka
Friday, 14 May 2021
Seat 7a by Sebastian Fitzek
Mats Krüger is a German psychiatrist living in Argentina. Despite treating phobias and other psychological conditions in his professional life, he ironically suffers from aerophobia, an irrational fear of flying. Mats is estranged from his daughter, Nele, after running out on his wife on her death bed and having an affair. Nele is heavily pregnant and Mats is intent on flying back to Germany to be with her at the birth, with the hope of patching things up. But when she books a taxi to take her to hospital for a caesarean, Nele is kidnapped and taken to a derelict dairy. There her kidnapper ties her up and points a live video camera at her. He rants about the cruelty of the dairy industry and what misery cows have to live through. Meanwhile, a mystery caller contacts Mats on board the now airborne flight and orders him to psychologically destroy an old patient of his, who works as a flight attendant on the plane. The caller wants the woman to become psychotic and homicidal and cause the plane to crash, killing all onboard. The caller tells Mats that if he fails to do this, the kidnapper will torture Nele and the baby and kill them.
Thus we have the setup for another madcap psychological thriller by the German author Sebastian Fitzek. Fitzek has made a name for himself with preposterous plots and over-the-top stories. Seat 7a is no different and takes as its inspiration several disasters which have afflicted aviation over recent years. Most notably the German Wings disaster of 2015, which is mentioned during the narrative, in which a disturbed pilot crashed a jet into a mountainside killing all on board. Equally pertinent might be Malaysia Airlines Flight MH370, which though as yet unfound, many believe the pilot or co-pilot to have purposefully crashed into the sea (though I think Seat 7A was published before the MH370 disaster). But regardless, these disasters and others like them have led the European Union and others to debate what they can do to stop them, including mandatory blood testing and psychological screening.
As with one of Fitzek’s previous titles, Passenger 23, the plot of which took place on a cruise liner, Fitzek has clearly researched air travel extensively. For example, he references the safest places to be on a plane during a crash, and those where you’re guaranteed to die. I haven’t checked these facts out for myself, but I checked out some of his research for Passenger 23 and it all proved correct, and so I wouldn’t be surprised if he was accurate here, too. It all helps him to spin a fiendish web of intrigue.
Factual detail aside, Fitzek’s books are always extremely far-fetched and require a suspension of disbelief. But to be fair to him, that’s all part of the fun. He’s the antithesis of a certain type of police procedural writer, who strenuously strives for believability. Instead, Fitzek offers a rollercoaster ride of plot twists and non-stop tension, and if you accept that and run with it, his books are a very enjoyable read.
Monday, 26 April 2021
Facets of Death by Michael Stanley
Sunday, 25 April 2021
Vanished by James Delargy
Monday, 19 April 2021
The Source by Sarah Sultoon
Marie is a TV journalist working on the production side (editorial, behind the camera, rather than a presenter or reporter) and employed by a major television news channel. She and her team are investigating a sex trafficking ring and have undercover footage of the traffickers selling a young woman. But just as they are about to broadcast the story, the Metropolitan police announce a breakthrough in Operation Andromeda, an investigation into historical sexual abuse in the army. Andromeda has been an enormous scandal, because although the police secured some convictions, many of the suspects escaped prosecution. Now they claim they have further leads which merit reopening the inquiry, and this overshadows and thus scuppers the sex trafficking investigation that Marie and her team have spent months working on.
Meanwhile, in alternate chapters set in the past at the time the abuse was occurring, we meet Carly, the daughter of an alcoholic and neglectful army widow. As far as Carly is concerned, the only good thing in her life is her baby sister Kayleigh. Carly’s older brother, Jason, is a soldier and he provides the family with food and essentials. But soon he helps groom Carly and her friend Rach for the sexual abuse occurring in the barracks.
The Source is told through two timelines - that of Carly experiencing the abuse and that of Marie, who first is investigating the sex trafficking ring, but when that’s superseded by Operation Andromeda, works on the news channel's investigation of that. From the outset it’s clear Marie knows more about the historical sexual abuse within the military than she lets on, and it isn’t long before both stories, that of Marie and that of Carly, converge.
The Source is a very well-written novel. When I first picked it up I assumed it was going to be a more straightforward thriller set in a newsroom, and as a former TV journalist myself, I had mixed feelings about that. Sometimes such stories seem to me to be a little navel-gazing. But the author, Sarah Sultoon, resisted this, and while the story is ostensibly about a journalist, in fact it’s about much more than that. Instead, the topical issues of historical sexual abuse, how society treats victims of such abuse, and the institutional coverups which often occur in such situations, take centre stage. While the issues touched on are sensitive, this isn’t a gratuitous book, but rather a gripping story that will keep the reader turning the page.
Friday, 16 April 2021
The Old Enemy by Henry Porter
Tuesday, 13 April 2021
How To Betray Your Country by James Wolff
August Drummond is a disgraced British intelligence officer. He’s been drummed out of his job under suspicion of leaking information for moral purposes – information he felt the public or foreign law enforcement should know, and which his employers were keeping secret for their own bureaucratic reasons. He found his conscience after meeting an idealistic activist who he fell in love with, and who challenged his preconceptions. After her death in a traffic accident, and his being forced out of the service, Drummond has sunk into alcoholic despair. He’s taken a job in Turkey, and is on the flight there, when he sees a young man acting suspiciously. Guessing he’s an ISIS recruit on his way to fight in Syria, Drummond follows him when they land. The man is arrested by the Turkish police, but not before he dumps something in a bin. Drummond retrieves it and discovers a note detailing a rendezvous in a cemetery. He guesses the meeting to be with an ISIS facilitator/recruiter and on a whim decides to take the arrested man’s place. Needless to say, things aren’t all they seem, and soon August is out of his depth and in serious trouble.
How to Betray Your Country is the author’s second novel, following on from a brilliant debut, Beside The Syrian Sea. It’s a standalone really, in that the story doesn’t follow on from the tale the debut told, and while the main character and plot of the author’s debut is touched upon, this is a self-contained narrative that can be read on its own. That said, the author plans a third novel, and the trilogy is thematically related, and the novels certainly complement each other. They’re both extremely good books too, and I would recommend them both.
Like with the author’s debut, How to Betray Your Country centres around what happens when an intelligence officer acts against the system. The main character (as with the protagonist of his debut) is not a traitor turned by a foreign power or terrorist group but has his own reasons for his rebelliousness. Both novels do not portray the intelligence services in a good light, which is perhaps (or perhaps not) a surprise, seeing as the author is writing under a pseudonym and the publishers tell us he worked for the UK government for over ten years. Reading between the lines, it appears Wolff might well have worked for the intelligence services himself, and thus perhaps his negative portrayal might be more nearer the mark than the intelligence services themselves would care to admit.
Like Mick Herron’s Slough House series, James Wolff’s novels buck the trend of espionage novels, which tend to portray the intelligence services as all-powerful and their personnel as superhuman James Bonds. Instead, we have all too human people, many incompetent and/or venal, employed by clunking bureaucracies which are as keen to cover up their own errors as they are dangerous plots.
How to Betray Your Country is a brilliantly written novel and well worth a read. I would recommend the author’s debut as well and look forward to reading the third title in the trilogy whenever it might come.
Tuesday, 6 April 2021
Repentance by Eloísa Díaz
It’s 2001 in Buenos Aires and Inspector Joaquin Alzada is called to the city morgue after the body of a young woman is found in a dumpster. Getting there is easier said than done because the city is at a standstill due to protesters filling the streets. Argentina is in crisis brought on by near economic collapse and political misrule and it seems the entire country is in revolt. Not Alzada though, as apart from having a job to do (he’s unable to retire because the state can’t afford to pay police pensions) he likes to steer clear of politics. This is something he’s always done (apart from a brief period in his youth), but his reticence is also due to a brush with the forces of the state back in 1981. Then Argentina was in the grip of a military dictatorship, and his activist brother and his brother's wife were abducted.
Repentance is told in two timeframes: 2001, with Inspector Alzada lumbered with a new partner and investigating the death of the woman in the dumpster, and 1981, when his brother and his wife are disappeared, and he desperately tries to get them back. Both timeframes complement the other and both give an insight into Argentina at the time. Indeed, Repentance is much more about Argentine society than it is about either case – the murdered woman, or the abduction of his brother and his wife – and these events serve more to guide us through their respective periods. It’s an effective method, because while I knew something of Argentine history, Repentance brought these periods to life for me and I feel like the book opens a window into the history of the times.
Repentance is a well-written story that gives a real insight into the twin periods in which the author sets her narrative. Alzada and the other characters are compelling and likeable enough to drive the story forward, and while the plot, especially that set in the 2001 timeline, is somewhat sparse, it’s more than compensated for by the novel’s compelling sense of history and place.
Friday, 2 April 2021
The Khan by Saima Mir
Jia Khan is a successful criminal law barrister. She’s also the estranged daughter of a powerful Bradford-based crime lord, Akbar Khan. The Khan’s are Muslim and of the Pukhtan ethnic group, which hails from Afghanistan and north-west Pakistan. They’re revered in the Pakistani community of Bradford, and rule through the carrot and the stick - enforcing their will and appealing to traditional values, but equally keeping the peace and a lid on petty crime. But when her father is murdered, and her bother abducted, the latter by Andrzej Nowak, an East European crime boss (and Jia suspects he’s responsible for her father’s murder, too), she has to return to the family fold to help.
This is a book which many have compared to a modern-day Godfather, and the comparison is apt. It’s as much a family saga as it is a crime novel, with Jia Khan the Al Pacino character, e.g. the reluctant prodigal child who ends up rising to the top (I confess to never having read the novel by Mario Puzo, and am basing my remarks on the films). And like The Godfather, we follow Jia as she’s inexorably drawn into the criminality she ran away from, the close knit bonds of family and tradition compelling her to do so to defend those she loves. Though again, without meaning to labour the comparison, just as with Pacino’s character, there’s a sense that Jia is not as reluctant as she at first seems.
There are a couple of niggling issues I had with The Khan. The criminal network she leads finds it a little too easy to outwit the authorities by using Tor and the dark web. In reality, the police, the National Crime Agency, and other enforcement agencies, can track such people down, as recent successes against the Encrochat encrypted phone system and others show. It’s difficult, and many get away with it, but to imply the authorities are clueless of such things, and that such a large criminal organisation as the Khans’ would never be spotted, stretched credulity. That said, this was a minor point and I accept the author engaged in a little creative license, and there’s nothing wrong with that.
There aren’t too many novels which examine organised crime from within the Muslim community, or indeed from Bradford, and this was a book firmly set in that community and environment. It worked well and gave an insight into the close-knit bonds of kinship within those communities. There are several linked issues which the author touched upon too, which added to the rich atmosphere she evoked, such as how Asian youth involved in the Bradford riots of 2001 received harsher penalties than white participants, and how this fostered resentment in those communities. This sort of detail grounded the novel in the area's history and added to its sense of place.
The Khan is an impressive debut, and Saima Mir is an accomplished writer. I look forward to reading whatever she writes next, especially if Jia Khan features in a sequel.
4 out of 5 stars
Wednesday, 24 March 2021
Nighthawking by Russ Thomas
The body was unearthed by a nighthawker, a metal detectorist, but one willing to trespass on private land and at night, and keep or not declare their finds. This is a major theme running through the book (hence the title) and several characters are members of a detectorist group and keen nighthawkers. It quickly becomes apparent that the woman is linked to the group and that one or more members might have something to do with her murder. Muddying the water is the fact she was a Chinese national and the daughter of a powerful figure within the Chinese Communist Party, and that she might have been involved in some kind of smuggling operation.
While part of a series, Nighhawking could be read as a standalone. That said, it is far more enjoyable if read after the author’s debut. The events of Firewatching have left their mark on several characters, and it is easier to understand some of their motivations if you know what they went through in the previous title.
Firewatching was an impressive debut and made something of a splash when published. There’s always a concern that the “curse of the second novel” will strike when a debut novelist has made such a mark, but Russ Thomas has no such concerns on that front. Nighthawking is a fantastic follow up, both brilliantly plotted and brilliantly told. This is a great book and I look forward to reading the third in the series whenever Russ is ready to unleash it on the book-reading public.
4 out of 5 stars
The Last House on Needless Street by Catriona Ward
Ted lives in a dilapidated house with his daughter, Lauren, and his cat, Olivia. Their house is at the end of an ordinary street called Needless Street (hence the title) but the windows are all secured with wooden boards, with just small holes drilled into them to see out of. A decade before, a girl called Lulu went missing from a nearby lake, and her family broke apart as a result: the mother walked out on them; the father died of a broken heart; Lulu’s sister, Dee, was left alone with her guilt and self-recrimination. Now Dee believes that Laura (who she hasn’t seen yet, but has heard Ted talking to) is Lulu, and Ted is the man who abducted her sister all those years before. She’s intent on finding the evidence, bringing Ted to some kind of justice, and rescuing her sister.
As least that’s what we think is going on. This is a twisty-turny Gothic horror chiller, told from a variety of perspectives, not least that of the cat, Olivia. While the set up seems straightforward at the start, it isn’t long before readers are unsure of their footing. All the people in the book are unreliable narrators, to use that overused term, and revelations come aplenty as the narrative unfolds.
The Last House on Needless Street has received much praise, not least from Stephen King. The film rights have been optioned and it will come to screens shortly, I’m sure. But I have to say, this novel really didn’t do it for me. I really wanted to enjoy this book, not least because all the buzz told me I should - The Times Thriller of the Month, an Observer Thriller of the Month, a Guardian 2021 in books pick, a Waterstones March 2021 pick, a Red Magazine March 2021 pick, a Refinery 29th March 2021 pick - the list is exhaustive. But I’m afraid to say this book just left me cold. It never seemed to know what it wanted to be - gothic horror? crime thriller? - and I found all the twists and turns confusing.
It was an enjoyable enough read, and lots of people will disagree of course (they already do, look at the plaudits), but for me it just didn’t work.
3 out of 5 stars
The Disappearing Act: The Impossible Case of MH370 by Florence de Changy
Untraceable by Sergei Lebedev