I was really looking forward to this novel as its author
is someone who’s blog I used to read regularly. In a past life Mark Hill ran
the Crime Thriller Fella blog, a book reviewing blog like this one (though I
imagine he had far more readers than I). The best part of his blog was a
section he titled the Intel where he interviewed authors and asked them for
advice on writing. For again, like myself, while Mark reviewed books, what he
really wanted was to be the one writing them. Well Mark is now a published
author, whilst I’m still an aspiring one, so what did I think? Did his debut
live up to expectations? Did he take on board all that advice, or did it all go
to waste?
Well I’m happy to say that his debut hits the spot nicely
and he clearly was listening when all those writers he interviewed spilled
their secrets. The Two O’Clock Boy is a tense serial killer thriller, with a
good undercurrent of noir. While it’s theme, firmly rooted in the abuse and
casual violence of a 1980’s care home, couldn’t be more current, what with the
ongoing inquiry into historical child abuse.
Now readers of my reviews will know that I’m not really a
fan of the serial killer genre. Too often they descend into crude schlock, if
not torture porn. Pleasantly the author avoids this, and while there is a high
blood and gore quotient, it’s never overdone, one never gets the feel that the
author is just upping the ante for the salacious pleasure of his readers.
Perhaps more importantly, he avoids the usual trotting out of the tired old
psycho serial killer tropes. Our killer doesn’t come up with myriad exotic ways
to keep his victims alive before dispatching them with Heath Robinson
ingenuity. Nor does he appear out of nowhere, as if psycho serial killers live
around every corner. Rather the author anchors him firmly in the past of care
home abuse, so that we understand how his psychological and moral growth became
so stunted. This is both more realistic and performs that feat that many an
author tries and fails at, namely eliciting some empathy for the villain.
And it’s hard not to feel sympathy for the killer, given
all that they suffered as a child. With what we now know of the abuse that many
suffered in the care system in the 1970/80’s, the predatory paedophiles with
links to the establishment, the Jimmy Saviles, it’s little wonder that many are
scarred by their experiences. And this is another strength of this book. Many
of the other characters are victims of the care home system, not least our
protagonist DI Ray Drake. Some of the best scenes in this novel are those set
in the care home, where the author writes powerfully of broken childhoods and
emotional neglect.
Drake himself is dark horse with many secrets and without
divulging spoilers it’s not clear by the end of the novel whether he’s expunged
them all. For example, who is the boy in the prologue who kills his parents? Is
it Drake? This is never answered. I imagine that this is with a view to a
sequel. I hope so. I for one will be reading it.
5 out 5 stars.
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